Recent Writings: Negativity, Social Gaffes and Farewell to Case Studies

I haven’t had a chance to blog here lately because most of my writing is been on assignment for other publishers. Here’s a sampling of what I’ve been talking about.

Love Your Critics

Angry ManThe CMO Site likes to stir things up, so my posts there tend to be on the controversial side. In Why Brands Should Love Public Complaints, I make the case that your critics can be your strongest allies. Why? Because a little negativity reinforces the validity of the positive comments you publish.

The whole concept of enabling negativity to appear on your own website rubs a lot of marketers the wrong way, but I’d argue that it’s great for building integrity. The article notes that Epson reported that revenue per visitor nearly doubled after it started including customer reviews on its site. The fact that one out of 10 customers may displeased with product can be looked at another way: 90% are happy.

The right approach is not to deny that you have unhappy customers; everyone’s got a few. They’re going to vent their frustrations anyway, so encourage them to do it in a place where you can respond and juxtapose their opinions with the vast majority who are satisfied.

Read more and comment on The CMO Site.

Good Riddance to the Corporate Case Study

In this post I rant just a bit about corporate case studies, those pervasive and largely useless vessels of happy talk that no one really believes. Corporate case studies used to have a purpose in the days when customers couldn’t find each other, but today all it takes is a few searches or LinkedIn queries to identify experienced buyers.

It’s not the concept of the case study I don’t like; it’s the format. Once the legal department gets involved in approvals, most meaningful content gets sucked out of the article. Case studies also don’t answer the questions prospective buyers really have. That’s why prospects have always viewed case studies with suspicion. Today, they mainly ignore them.

So rather than investing time and dollars in paying writers for stories that no one believes, why not focus on greasing the skids between your happy customers and your prospects? Make it easy for the two parties to connect and then get out of the way.

Read more and comment on The CMO Site.

The Futility Of Whisper Campaigns

PR practitioners who undertake influencer relations programs often discover an odd disconnect between them and traditional media relations: Bloggers don’t operate by the same rules as reporters.

Whisper of the Muse (1865)The recent example of this disparity ended up embarrassing a prominent PR firm, and I analyzed the story in BtoB magazine.

In case you missed it, early last month a pair of new employees at Burson Marsteller, both of them veteran journalists, contacted a security blogger and offered to help him write and place an op-ed piece that exposed “sweeping violations of user privacy” by Google.

It turns out the blogger was more interested in the motivations of the PR firm than in Google’s allegedly intrusive behavior. After he posted the e-mail exchange online, some USA Today reporters dug up the fact that Facebook was behind the whisper campaign.

Burson, which claims to be social media-savvy, did exactly the opposite of what it would counsel its crisis communications clients to do: It clammed up. The incident was a huge black eye for the agency and a lesson in how not to pitch a blogger.

Read more and comment on BtoBOnline.

Do You Need A Social Media Specialist? Yup.

My latest column in B2B was actually sparked by a conversation I overheard on a plane. A guy in the seat behind me was railing to his companion about the idiocy of hiring social media specialists. In his opinion, everyone in a company should learn to use the tools. Expertise shouldn’t be concentrated in one person or department.

I agree with his second point but I couldn’t endorse his overall premise. Nearly every company I’ve encountered that is succeeding in social media has a center of excellence. They are delegating social interactions to one person, but they’re shortcutting the learning process by hiring people who can train others. In this column, I explain why a social media expert can save you time, money and embarrassment (see Burson above).

What’s your approach? Read more and comment on BtoBOnline.

How Much Should You Pay For Content?

Underwood keyboardMarketers often ask how they can train engineers and technical people to blog, podcast and otherwise engage in deep online conversations with customers. My advice: don’t bother. You’re better off investing in professional communicators and teaching them what they need to know about your business.

The ability to communicate well in any media demands a certain amount of innate ability and it’s a difficult skill to teach. The technology trade media learned this long ago, and that’s why they have hired professional journalists to fill their pages for the past 75 years. It’s a lot harder and costlier to train  technology experts to write than it is to teach writers what they need to know to about technology.

So if you’re going to create your own blogs, white papers, e-books and such, you should probably use professional communicators to help you do it. What’s that going to cost you? Like most things in life, it depends.

Media Dividend

The rapid decline of mainstream media (more than 45,000 journalists have been laid off in the last five years in the US) has put a lot of good communicators out of work, and many can be had today for pennies on the dollar compared to what they made a few years ago. I recently noticed a bylined article by a veteran Wall Street Journal reporter on a Cisco promotional website. And I’ll bet he was happy to have the work.

The cost variable is the level of technical skill you need. If you’re in a consumer industry where the necessary level of technical knowledge is quite low, decent freelancers can be hired for as little as 25 cents/word, although the norm is between 50 and 80 cents. Demand Media, whose formulaic, keyword-driven approach to topic selection enrages many journalists, is rumored to pay as little as $.10 per word.


A word on words: Freelancers are usually paid by the published word. It seems an odd metric, but it’s the one that’s been used for decades and will probably persist until somebody comes along with a better one. Payment is based upon the published word, not the number of words the writer submits. You should always specify an upper limit.


Many journalists who were making $60,000 to $80,000 salaries working for newspapers a few years ago are happy to work for $35,000-$40,000 today. Any journalism pro should be able to produce 2,500 words/week for you. Do the math to figure out if it makes more sense to hire or freelance, remembering that a full-time employee carries less administrative overhead – but more overhead cost – than a loose staff of contractors. If you’re negotiating for basic, off-the-shelf freelance help, start with a 30 cents/word offer and work from there.

The higher the level of technical expertise you need, the more it’s going to cost you. In the computer industry, which is what I know best, $1 to $1.50 is the going per-word rate for marketing-commissioned pieces these days. I imagine that in a highly technical field, like bio-engineering, the rate is even higher. The fewer options you have, the more you’re going to pay.

Where Writers Hang Out

“I once commissioned a story from a freelancer who had an impressive portfolio of published work, but who apparently had also worked with some outstanding editors. The piece she turned in was such a disaster that I almost cried.”If you’re looking to hire professional journalists, sites like JournalismJobs, WritersWrite and MediaBistro are good places where writers hang out and look for assignments. There are several large groups of freelancers on LinkedIn, including The Freelance Writers Connection with 5,600 members. Search for others.

If you’re more of a risk taker, sites like e-lance, Guru.com, Freelancer.com and iFreelance are places to fish for talent. Try posting your needs and what you’ll pay and see who responds. Be sure to ask any prospective writer for samples of his or her work in your field of expertise. You do not want to pay a freelancer to learn your business on the job.

Hiring freelance help blind is a risky affair. Published samples won’t do you any good. I once commissioned a story from a freelancer who had an impressive portfolio of published work, but who apparently had also worked with some outstanding editors. The piece she turned in was such a disaster that I almost cried. I spent more than four hours trying to turn it into something that was at least publishable, hoping that nobody would actually read it. Moral of the story: ask for raw copy, not clips.

Going the Full-Time Route

Ginny Skalski

Cree Lighting blogger and former newspaper reporter Ginny Skalski

If you can afford to hire a full-timer, I highly recommend it. Journalists are quick learners by nature and their time to productivity is short. Staffers turn out more content per dollar than contractors, and you don’t have the overhead of legal documents, busted deadlines and flaky freelancers who simply disappear in the middle of the night

If you choose to hire a journalist as a corporate blogger, you’re in good company. Among the brands I know that do so are IBM, HubSpot, Eloqua, JetBlue, Cree Lighting and Sybase. I’m sure there are many more. Every single journalist-turned-corporate blogger I have met is happy to be out of the burning building that is mainstream media and into something with a manageable lifestyle and a boss who isn’t a screaming maniac.

If you prefer to go the freelance route, stick with a small group of reliable freelancers rather than playing the field. They’ll learn your business and require less hand-holding the longer you use them. They’ll also go the extra mile for you when you need them. Freelancers treasure steady work more than high pay. Most would rather work for a handful of reliable clients then constantly bid for the highest dollar. Paying within two weeks, rather than the corporate-mandated 60 days, will make you their best friend.

Final Note: Be Reasonable

I’ve been writing for BtoB magazine for nearly six years, some of it paid and some not. Like many media organizations, they pay less than any of my commercial clients, but I always put BtoB at the front of my priority list. Why? They’re just such damned reasonable people to work with.

Freelancers know that $2/word is no bargain if they need to produce 8,000 words and four rewrites over three months in order to get approved and paid. BtoB and I work so well together at this point that there is very little waste in our interaction. I actually make more money per hour working with them than I do with some corporate clients who pay considerably more.

The moral: The easier you are to deal with as a client, the better deals and favors freelancers will cut with you. This doesn’t mean dropping your standards, but the next time you’re ready to ship a draft back to the writer for a fourth revision in order to move two paragraphs around, you might consider just making the change yourself.

 

Five Tips to Make Your Writing Sparkle

Now that we’re all publishers, writing has become a core skill for marketers. I love good writing, and whenever I get the chance to teach it, I share these five tricks I’ve learned to make anyone’s writing better.

The Art and Craft of Feature Writing cover1. Write in Pictures. Former Wall Street Journal page one feature writer Bill Blundell used that phrase in a seminar some 15 years ago, and I’ve never forgotten it. It’s the single best piece of writing advice I’ve ever had.

Human beings think visually. The words we read continually conjure up images in our mind. So why settle for ordinary words when vivid images are available?

Consider this passage from a Journal story from two years ago about the declining popularity of Grape Nuts cereal. Describing the factory in which the century-old breakfast staple is made, reporter Barry Newman writes (emphasis added):

All day every day, objects with the proportions of hewn firewood and the heft of cinder blocks hurtle along a conveyor, dive into a steel chute, disappear down a black hole — and emit what sounds like a startled scream.

Each of the bolded terms creates a mental association that makes the scene come to life. Words like “hurtle” and “dive” are so much more descriptive than “travel” and “fall.” These are words everyone knows; we just don’t think to use them.

2. Tell stories. In writing The Joy of Geocaching with Dana two years ago, I had the chance to use one of the best opening sentence I’ve ever written: “In early 2003 Ed Manley decided to kill himself.”

The following paragraphs went on to tell about an injured and embittered veteran who discovered a game that gave his life new purpose. It was a powerful story that encapsulated the curious appeal of geocaching in a way that no statistics could have matched.

Storytelling is the oldest form of human communication and the most instinctively effective. They hit us in our gut. They are one of the most effective tools we have to grab a reader’s attention. Tell them whenever possible.

3. Get angry. Newspaper columnists use this trick all the time. We write best about topics that stir our passion. You may think your situation doesn’t lend itself to such emotion, but with a little imagination, you can get angry about even seemingly mundane things: the way people behave in meetings, the antics of an industry standards group or the way a company treats its customers.

Getting angry doesn’t mean going on a tirade or hurling insults. That’s embarrassing. Anger is better expressed with irony, sarcasm, counterpoint or wry condescension. The more eloquent your words, the more appealing your message. If you make people laugh, all the better.

One of my favorite angry writers is the Baltimore Sun‘s John McIntyre, whose You Don’t Say blog should be in every writer’s RSS feed. In a recent entry condemning restroom devices that periodically emit a spritz of perfume, he wrote,

“It does nothing to cancel out the underlying smell of the premises, merely adding one offensive aroma atop another. It’s rather as if someone went to the zoo and spritzed the bonobos with Dollar Store perfume.”

If you can send your readers scurrying to Google to look up “bonobo,” you’ve won.

4. Remove Unnecessary Words. Do you ever get memos about how someone “facilitated the process” instead of just “did?” Is there ever any reason to use the phrase, “We all know that…?” Have you received an e-mail stating that “Greater emphasis and guidance was placed on ensuring…” when it could have said, “We stressed…?”

Verbose writing and passive voice are drilled into us beginning in junior high school, and we suffer the consequences of this injustice every day. We don’t always have the time to tighten our messages, but it’s a service to readers when we do.

Try this with your next essay or staff memo: Re-read what you’ve written and remove every unnecessary term. Change passive voice to active: Instead of “succeeded in accomplishing,” try “did.” Substitute short words for long ones. See how many words you can remove without diluting the meaning. You’ll be surprised.

Writing coach Don Fry5. Surprise Your Reader. Writing coach Don Fry (right) calls these “gold coins.” They’re the little nuggets of information that delight and reward readers for staying with us. Or they may just make us laugh.

Consider this passage from The Rubber Room, a withering assault on the way the United Federation of Teachers protects some of New York City’s worst educators. Describing a competency hearing for fifth-grade teacher Lucienne Mohammed, Steven Brill writes that her case “is likely to take between forty and forty-five hearing days—eight times as long as the average criminal trial in the United States.” That little nugget of comparative data validates the point of the story more effectively than any quote from a frustrated administrator ever could. Brill did a little extra work to make his point a lot more powerful.

Or how about this gem from Why Craigslist Is Such a Mess, Gary Wolf’s wonderful exploration of the enigmatic classified ad site in the August, 2009 Wired:

“Jim Buckmaster is tall and thin, [Craig] Newmark is short and round, and when they stand together they look like a binary number.”

I laughed out loud at that. It was a reward for reading the 3,000 words that came before it (which were also very good).

The three feature articles I’ve cited above are fantastic examples of great writing. Here are a couple of others that I’ve used in recent classes:

Fatal Distraction: Forgetting a Child in the Backseat of a Car Is a Horrifying Mistake. Is It a Crime? This gut-wrenching 8,700-word feature story in the Washington Post won the Pulitzer Prize in 2009. Read it and you’ll see why. It will touch your soul.

The No-Stats All-Star – Michael Lewis’ profile of Shane Battier, a seemingly unremarkable NBA forward who raises every team he plays for to a higher level continually delights us with gold coins and features one of the best conclusions I’ve ever read.

What tricks have helped you become a better writer? Share them as comments.

Are Exclusives a Good Idea? In a Word: No

Should you give exclusives to journalists? My advice on this has always been unequivocal: No. Exclusives are a bad deal for you in the long-term and make no difference to the audience you’re trying to reach.

This question came up last night during a panel sponsored by the New England Venture Network on which I participated along with several business journalists. I broke with my colleagues on this question, but I firmly believe that exclusives are a bad idea.

Here’s my thinking: Journalists are a competitive bunch and they care deeply about who gets information first. However, no one else does. These days information travels so quickly that its source immediately becomes lost. Outside of a few big stories – such as TMZ’s scoop on the death of Michael Jackson — the public doesn’t remember where a story originated.

Journalists remember, however, and they tend to hold grudges against sources who favor their competition. Public relations is a relationship game. It’s been many years since I pounded a beat, yet I still remember a few PR people who gave stories to my competition. It’s safe to say that I never treated those people quite the same again. I’m not proud of that fact, but the reality is that it’s difficult to be chummy with someone whom you believe has slapped you in the face.

There are isolated incidents when an exclusive might work out. One of the audience members last night brought up a recent case in which her company had given The New York Times a scoop on a patent her startup company was about to receive. The story was picked up by many other outlets and she was satisfied with the results. I suppose if The New York Times is willing to promise you prominent coverage, an exclusive may be merited. But what if the story had turned up as a short squib in a “Miscellany” column or been cut by an editor? The PR person would have angered competitors and had little to show for it.

If you’re going to play the exclusive game, at least try to make it a win-win proposition. Perhaps you can offer one reporter a first interview with a customer or your CEO and give another a scoop on pricing or a particular new feature. Or you can promise the reporters you snubbed a first shot at your next big announcement.

In general, though, exclusives make one friend at the expense of making a lot of enemies. I can’t believe they are a good thing for your business in the long term.

Weinberger Wisdom

David WeinbergerMy definition of a good speech is one in which the speaker tells you something you already know in a way that you’ve never considered before. That’s why David Weinberger is one of my favorite speakers.

Here are my notes from David’s presentation this morning to the Mass. Tech Leadership Council’s Social Media Summit. These are adapted from my tweets from the event, but hopefully are self-explanatory. They’ve been cleaned up and expanded for clarity:

  • The Web has always been social. The only difference with Web 2.0 is that it’s easier to build a presence.
  • The page-centered Web paradigm has yielded to a people-centered one.
  • Apple is about art. Google is about scale. We don’t know yet what Facebook is about. That’s unsettling, because Facebook is to the social Web what Google is to the Web.
  • Media is frequently mis-characterized as publishing. The definition of media is that which  mediates between parties. Media isn’t content.
  • We are the media. We recommend knowledge to each other. New media transforms as it moves, unlike traditional fixed media like TV. Telegraphs are a fixed medium for sending messages. The Internet sends messages but it isn’t fixed. It changes every second.
  • We take on properties of our media and our behavior comes to reflect the media we use. For example: The phone is intermittent, interuptive communications driven by a reason to make a call. The Web is rolling sets of instantaneous, always changing fragmented networks. These networks may be transient or last a lifetime. This is a completely different model than traditional media.
  • Network sociality is more like a party than a phone call. Telephones are interruptive; the Internet is distractive. People interact with the medium differently.
  • In the days of broadcast, markets were abstractions created by advertising. Now they are real and social.
  • Transparency is now an imperative. For example, on Wikipedia you can always find out why an item of information is there. The entire process is open. More businesses will operate like this.
  • We are getting comfortable with fallibility. The most popular stuff on YouTube is about humans screwing up. This doesn’t embarrass us as much as it used to. This acceptance of our own weaknesses will change the way organizations operate.
  • People don’t buy drills or holes. They buy a nice place to hang towels to impress their relatives. Abstract to the level of basic human needs in order to understand behavior. This also works in marketing, BTW.
  • There are four types of transparency critical to Social Media: sources, self, humanity, interest.
  • Newspapers traditionally provided a curated mix of content reflecting a professionally derived combination of what we wanted to know and what we needed to know. News about Sudan is an “eat your broccoli” story. We don’t like it, but we need to know it. It’s not clear where we will get that kind of information in the future.
  • The social media generation now expects important information to find them. That’s a dangerous attitude.
  • Diversity is important but uncomfortable. Without shared interests, it’s hard to converse. When you have a truly diverse group, you get smalltalk because people don’t have a common platform for conversation. Nevertheless, diversity is important. We must fight the tendency to stick with people like us. Diversity requires conscious discomfort. We want to interact with like-minded people.
  • Media is increasingly an echo chamber in which we choose to listen to people who share our views. Echo chambers are bad for democracy and culture, but marketers like them because they say what marketers want to hear. Echo chambers aren’t necessarily bad, but if that’s the only place you ever talk, you’ll never hear other points of view.

How to Conduct a Great Interview, Part 2

David Frost interviews Richard NixonLast week I talked about the art of the interview, an essential skill in creating content that generates traffic and visibility. (Be sure to read the advice of others who contributed comments to the blog entry). The first part of this two-part entry talked about preparing for an interview. Now let’s look at what to do when you sit down with your subject or begin the phone call.

Be Conscious Of Time – I almost always ask interview subjects how much time they have. This helps me plan the pace of the questions and also makes sure that I get to the critical ones. If you’re expecting an hour and your subject has only 15 minutes, you need to adjust quickly. If you need extra time, ask for it up front. If the subject turns you down, ask again later in the interview when he or she is hopefully more invigorated about the conversation.

Ask About the Subject’s Background – People like to talk about themselves, so indulge them with a question that they are happy to answer. I’ve found that the simple question, “Tell me about yourself” is a great conversation-starter.

Avoid Yes/No Answers – Instead of asking, “Are you satisfied with your progress this year?” use “Tell me how your progress this year compares to your expectations.” Avoid questions beginning with “do,” “will,” “are,” “and “should,” and instead use questions beginning with “what,” “how,” “why” and “describe.”  Asking someone to “Tell me about…” gives them no choice but to share an experience.

Invite Stories – I once heard former Wall Street Journal feature writer Bill Blundell give advice I’ll never forget: “Write in pictures.” In other words, tell stories that readers can visualize in their minds. Storytelling is the most powerful form of human expression. Stories turn abstract ideas into useful examples. Ask the subject to make the topic real by citing examples or personal experiences.

Don’t Be Afraid To Ask The Same Question Twice – This is particularly true in an interview that concerns a controversial subject. Executives are media-trained to answer the questions they want to answer rather than the questions they’re asked. If your subject is evasive, ask the same question a different way. Sometimes you can coax someone into answering a difficult question by feigning ignorance: “I’m sorry, I didn’t follow that. Can you dumb it down a bit for someone like me?”

Control the Interview– You need to dictate the pace and topic of the interview. If the subject rambles or goes off course, cut her off gently whenever you can get a word in. Even if you back off a bit to let her finish the thought, you’ve sent a subtle message that it’s time to move on.

Be Empathetic – Chances are your subject is pretty passionate about the topic you’re discussing. Let your behavior reflect that interest. Smile when she smiles and shake your head when she relates a tale of woe. This isn’t misleading; it’s simply reflecting back a person’s feelings in a way that helps to draw them out. People like to talk to responsive listeners.

Ask For Closing Thoughts – The longer people talk, the more comfortable they are. This is why the best quotes often come at the end of the interview. When you finish your questions, give your subject a chance to summarize her thoughts or restate an important point. One good tactic is simply to ask, “Is there anything I missed?”

Here are thoughts on a few common questions:

Should You Use A Tape Recorder? These days, the answer is increasingly yes because you want the latitude to publish the interview as a video or audio podcast. That said, recording devices can put a damper on a conversation. Once you start recording, put the gadget aside and don’t look at it. You want your subject to forget about it as quickly as possible. Also, most states require that a person audibly consent to be recorded. Be sure you get that permission on tape.

Should You Go Off the Record? This question is complicated by the fact that “off the record” means different things to different people. Technically, “off the record” means the information can’t be used under any circumstances, which makes it of little value to you. However, people often use this term when they really mean “not for attribution.” I rarely agree to off-the-record terms but I will go on background if the information is important. It often turns out that you can negotiate the use of background comments if you paraphrase them appropriately.

Approvals – Many people ask to approve an article before it’s published. I let the context be my guide. Very often, both interviewer and subject have the common goal of making the speaker look good. In that case, I see no problem with letting someone review their comments for accuracy. However, if the topic is controversial or if the speaker is a celebrity or public official, no way. Those people know the rules. In any circumstance, I advise against giving full editing access. Confine the subject’s revisions to statements of fact.

Those are some of my best practices. What are yours? Post your advice as a comment.

How to Conduct a Great Interview, Part 1

My last couple of newsletters have been pretty high level, so I thought I would come back to earth and devote the next couple of issues to something a little more practical: how to conduct a successful interview.

I’ve probably conducted 4,000 to 5,000 interviews in my 30 years as a journalist and have learned a few tips for making them go smoothly. For many people, interviews are intimidating and scary but they don’t have to be.

Interviews are one of the most popular ways to generate content for a blog and they have the secondary benefit of establishing relationships with people who can raise visibility and awareness. When you interview prominent people, they often link back to your site and provide a nice little boost in traffic. Interviews are a great way to get a social media effort off the ground. Here’s how to get started.

Be Prepared – This is interviewing 101. Preparation has several beneficial effects. Not only does it enable you to ask better questions, but it’s a sign of courtesy and respect for the guest. Spend 15 minutes on a relevant website to come up to speed on your subject. It really shouldn’t take longer than that for a basic interview. Then integrate the information you find there into your questions. Your guest will be more cooperative and forthcoming as a result; I guarantee it.

Learn Something Personal – The Web is a wonderful tool for researching people as well as companies. Between public profiles and Twitter feeds, you can learn all kinds of interesting things about a person’s hobbies, history and passions. Use this information as an icebreaker: “I understand you backpacked across America. I’ve always wanted to do that.” This gets people talking about something that really invigorates them. The rest of the session will be more relaxed as a result.

Flatter Your Subject – There’s no faster way to get a subject to warm to you than to share a statement like “I absolutely loved your book.” If the setting is somewhat confrontational, a little compliment at the front can diffuse the tension. You don’t need to be disingenuous; chances are you can find something to admire even if you don’t agree with the person

You Don’t Have To Read the Whole Book – Authors are popular interview subjects because they’re willing and available. You should make it a point to read at least some of their work, but there’s no reason you have to read it all. I find that scanning the table of contents, reading the introduction and skimming the first couple of chapters will usually tell you most of what you need to know about a business book. That should take you no more than a half-hour. Business books tend to be repetitive, anyway, so the good stuff is usually at the front.

Prepare Questions but Be Ready To Discard Them – We’ve all heard those painful interviews in which a novice questioner insists on reading through a list of prepared questions regardless of what the subject says. This creates a disjointed and awkward conversation. You should absolutely prepare questions, but use them as notes to make sure you hit on important subjects or use them to restart the conversation when you hit a dead end. Mark the ones that you absolutely need to ask, but don’t make the questions  a goal. Following up, redirecting and exploring new paths are the essence of good conversation. The same goes for an interview.

One question that stirs some debate is whether subjects should be allowed to see questions before an interview. If the meeting isn’t confrontational and the speaker is uncomfortable, I say sure. However, public figures and experienced executives shouldn’t need this nicety. If you do provide questions in advance, be sure to note that you intend to take the conversation in whatever direction you need. Never promise to stick only to the prepared list.

Be Interested – This is the most important bit of advice I can offer. The person you’re interviewing is probably passionate about the subject matter. The more you can channel that interest, the more forthcoming your subject will be. Even if the topic doesn’t rivet you, pretend it does. Lean forward in your chair, look the subject in the eye and nod occasionally to show that you are following the conversation. Laugh or show pain at appropriate points the discussion. If conducting the interview by phone, an occasional “Mmm-hmmm” confirms that you’re there and engaged.

Restate and Confirm – If you’ve ever taken a course in active listening, you know the value of this technique. Tell the person what you believe you just heard him say. This shows that you’re listening and avoids problems that stem from misinterpretation. If you can restate the message more succinctly than your subject, ask if you can attribute your words to him. Usually, people are happy to be edited in this way.

Lob A Few Softballs – if you dive right into the heavy stuff, you risk putting your subject on the defensive and derailing the interview. Start off with some easy questions: “Tell me about your background,” or “How did you get into this line of work to begin with?” Smalltalk works in social settings and the same goes for formal interviews.

In my next entry, I’ll go into more details about how to guide the course of an interview and handle problems. Meanwhile, share your advice for how to prepare and start an interview below. If you can link to some particularly well structured interviews that you or others have published, so much the better. Meanwhile, if you want to see how badly an interview can go, check out this video clip from an old Bob Newhart show. It’s one of my favorites.

Five Tips for Effective Blog Writing

In a couple of recent entries (here and here), I discussed tricks for coming up with ideas for entries for your blog. Now let’s look at how to express them with clear, search-friendly writing.

1. Know Your Audience

This is the most important point to get clear. Having an image of your target reader helps you craft your approach and limits wasted words. For example, if I’m writing about e-mail marketing I’ll approach the subject very differently depending on whether the audience is professional marketers or college students. IDG Chairman Patrick McGovern used to suggest that writers keep a picture of a reader on the wall to remind them that there was a person on the other end of the interaction. It’s not a bad idea. The more you think of writing as a conversation, the more clearly you get your point across.

2. Know What You Want to Say

A writing coach once advised me to “Tell people what you’re going to say, say it, then tell them what you just said.” Another used to ask his students simply, “What’s the story about?” It was amazing how many professional journalists couldn’t answer that simple question.

Drive-by blog readers have neither the time nor patience to unravel complex messages, so tell them at the top what they can expect to take away from their investing in your words. It’s a good practice to write a brief summary of the point or points you want to make and then fill in the details, keeping in mind that they should lead to the intended conclusion. How many major points should you make in a single blog entry? Instinct  tells me no more than two. Beyond that you’re into an essay, which requires a different approach to writing. For the purposes of a blog, short and simple usually works best.

3. Grab the reader’s attention

If you want to see some examples of great writing, browse the archive of Pulitzer Prize winners. Nearly every article you read there begins with a statement, quote or anecdote that commands your attention. Some of the most powerful writing leads with a story, like the young newlyweds whose lives were upended by a cancer diagnosis or the 84-year-old Georgia woman who couldn’t register to vote because her birth had never been documented. Journalists call these passages “grabbers.” They’re meant to stop readers and make them want to find out more.

Business writers don’t usually have the opportunity to tell stories like these, but a grabber can simply be a statement of the unexpected, such as “Everything you’ve ever learned about marketing is useless, and here’s why.” Or if you can’t come up with something dramatic to say, simply tell people what you’re going to tell them. Try to arouse curiosity: “The Chaos Scenario is a great book, but prepare to be disturbed by what it tells you.”

It’s easy to get bogged down working on your introduction. One tactic I use is to skip the lead entirely and begin writing with the second paragraph. By the time I’m halfway done, I’ve usually thought of an idea for how to start.

4. Write Like You Speak

Not everyone is a talented writer, but nearly everyone is capable of writing clearly. Some of the worst writing is done by people who imagine themselves to be budding Hemingways. Their attempts at eloquence come off sounding tortured instead. If you’re not a gifted writer, it’s no big deal. One of the great characteristics of blogging is that it’s so personal. Start by speaking your words and then write down what you said. A great tool is Dragon Naturally Speaking, a voice recognition program that you can pick up for about $50 on eBay. I’m using it right now.

5. Use Organizational Tools

Many of my own blog entries are written just like this one: I state a theme at the top and then organize the points I want to make as subheadings or bullet points. This is basically a form of outlining that enables me to organize my thoughts logically. It doesn’t work in every case, such as when telling a story. But it’s easier to write when your thoughts are organized as a series of short messages.

Another useful tool is to write on a timeline. State the conclusion you’ve reached and then describe the process by which you arrived there. Journalists are taught to use the “inverted pyramid” style, by which information is related in order of declining importance. The inverted pyramid was invented for the days when articles were cut from the bottom and it’s less relevant than it used to be, but the simple practice of deciding what’s most important is useful for organizing your thoughts.

These are just a few ideas for getting over bloggers block. In an upcoming entry, I’ll talk about writing in the age of search. Meanwhile, please contribute your own tricks and techniques for writing clearly in the comments section below.

Message to Marketing Graduates

Photo by Shoshanah (click for Flickr page)

Photo by Shoshanah (click for Flickr page)

I spent 90 minutes speaking to Dr. Nora Barnes’ social media marketing class at the University of Massachusetts/Dartmouth this morning. I try to speak to college classes at least four or five times a year, in part to give back something to the next generation and in part to learn more about what’s on their minds.

I asked the students – all of them senior marketing majors – the same question I always ask college classes: How many of you subscribe to a daily newspaper? The response was pretty typical: three students out of a class of 34.

Here are some of the things I told them:

  • Much of what you’ve learned about marketing over the last four years will be irrelevant five years from now. The field is changing too quickly. You’ve been learning about how to tell a story and position a brand, but in the future your job will be much more about listening to customers and working collaboratively on brand definition.
  • You should discard much of what your teachers have been telling you about the media. Traditional media is collapsing and what emerges from the rubble will look very different than the institutions we now know.
  • The best skills you can bring into the marketing field today are resourcefulness and curiosity. You must be willing to reinvent your skills constantly because the playing field is in a constant state of turmoil. This is very exciting for you and it’s very scary for the people you will be working for. Be sympathetic, but don’t get stuck doing things the old way.
  • Traditional media was built upon a foundation of inefficiency. The clothing retailer who wanted to reach the .01% of the population who want to buy a wedding gown at any given time has had to pay for the 99.9% who don’t. That’s crazy, but it’s the only way we could get a message across in the past.
  • The worlds of media and marketing are undergoing enormous improvements in efficiency right now. Unfortunately, efficiency is usually painful because it destroys institutions that were built upon inefficiency – institutions like newspapers and magazines. In the end, we’ll be better off, but we’re still in the ugly destruction phase right now.
  • In the last decade, Americans have shift from browsing to searching for information. This has huge implications for the way decisions of all kinds will be made in the future. Search engine marketing and search engine optimization should be part of any core university marketing curriculum today.
  • The shriveling of traditional media creates new opportunities for organizations — and that includes businesses — to fill the trust gap that’s been left behind. Businesses can become media if they so choose. Most of them haven’t accommodated themselves to that fact.
  • Trust is complex in the new world because we are losing our traditional trusted brands. I trust Wikipedia to tell me the date the Yalta Treaty was signed, but not necessarily to interpret the poetry of Edgar Allan Poe. Trust is also situational. We are learning to trust some sources for certain kinds of information but not for others. It will take time for us to sort this out.
  • Today, individuals can choose to be celebrities all by themselves. They need to have something interesting to say and the knowledge to use new channels to say it. This is very cool. We no longer have to depend on others to decide if we can be important or not
  • This is a great time to be a college student getting into marketing. The old guard is struggling to learn the new tools that this generation intuitively understands. Companies like Edelman are going so far as to create reverse mentoring programs in which younger employees train senior executives. This doesn’t mean you young people know it all. Be open-minded about learning from the experience of others and be generous about sharing what you know.
  • In the old days, the marketer’s job was to media-train a few key executives. In the future, the marketer’s job will be to media-train the entire company. This will be enormously empowering for marketers.
  • Marketing’s traditional role has been to talk. Its future role will be to listen. Branding and positioning will be defined as much by a company’s constituents as by its employees. If you choose simply to talk, people will choose simply not to hear you. Marketers have an unprecedented opportunity to increase their importance in the organization by becoming listeners.
  • Messages spread from the bottom up much faster than they spread from the top down. Cindy Gordon’s story at Universal Studios is just one example. She told seven people the news and within a couple of days, 250 million others knew.

And finally: By the time you graduate, have a LinkedIn profile. And for goodness sake, clean up your Facebook profile!